Existing examples suggest that Ogham was used primarily on grave and boundry markers. Indeed, most inscriptions read "so and so, son of so and so, son of so and so" and so on. Evidence exists, however, supporting its' use by Druids for recording tales, histories, poetry, geneologies, and the like. Bards are thought to have carried a Táball-Lorg or 'Poets Staff'. This would have been a staff comprised of several wooden wands, fastened at the bottom so as to open into a fan shape. It was on these wands that the poets would have inscribed their tales. In the 'Voyage of Bran' the hero is described as having committed some 50 or 60 quatrains in Ogham to a Táball-Lorg, which he then cast into the sea. Having been constructed of wood, it is highly unlikely that a Poet's Staff would have survived to the present day.

The name Ogham or Ogam (Ohm) was derived from that of the Celtic god of literature and eloquence, Ogma, who is credited with its' invention. The letters are constructed using a combination of lines placed adjacent to or crossing a midline. An individual letter may contain from one to five vertical or angled strokes. Vowels were sometimes described as a combination of dots. The midline was, most often, the edge of the object on which the inscription was carved. Ogham is read from top to bottom, left to right.

In keeping with Druidic concepts, each of the Ogham's twenty letters bears the name of a tree. A-Ailim (Elm), B-Bithe (Birch), C-Coll (Hazel), for example. This is not surprising until it is realized that not all of the twenty plants of the Ogham were found in the post-Christian Celtic world of the British Isles. This fact would seem to lend some credence to the theory that Ogham predates the first century AD. According to Curtis Clark, "If one were to pick a region where the plants of the Ogham were best represented, it would be the valley of the Rhine River, home of the Iron Age La Tené culture that is regarded to be ancestral to the Celts."